Work Context:

“ I write my letter, to Dorothy, seal and stamp the envelope. Stepping outside the air is fresh, it feels good. Walking down the hill I pass the Betterware Lady trudging up with her trolley full of catalogues. We say hello. At the bottom of the hill the post office is busy, I post my letter and stand chatting in the queue, to buy my newspaper, which I read on the way back up the hill. At my garden Angela stops to say hello and ‘how are you?’ I have a passion for Angela, which I never disclose.
I suppose I could have sent an e-mail and caught the news on ‘television’. ”
‘ Redundant Human’ B Georgeson 2002.

Georgesons work evolves from research into those areas where Technology and Humans meet. His paintings utilise metamorphosis through image manipulation echoing the apparent changes that technology brings to our ‘Humanness’.
The viewer is sometimes encouraged to locate within the work and at the same time denied location since points of recognition have been removed to the extent that the viewer is left to locate using there personal experience of residual imagery.
Recent work engages similar spaces of the mind (inner space), the internet (cyber space) and memory, using the mark made in various ways.

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