Sarah Robinson's recent work with light-box images mapping fetal blood circulation, constructed from text, drawings, photo-etching transparencies and the use of disintegrated polaroid collages, represents a subtle shift in the approach to her practice. As a Fine Artist-Printmaker Robinson's work has strongly emphasized the quality of expressive line through drawing and printmaking to explore notions surrounding the Human Condition. Her current concern with the theme of Motherhood lies within investigating the layering of images as a metaphor for the gradual awareness the child has of its own body as being a separate entity from that of its mother. No longer physically dependent on the mother through her feelings associated with pain and nurture as suggested in earlier works, the recent images such as 'Transcendence I' seek to express the physical and psychological movement of the child away from the mother. The aim of Robinson's exploration utilizing her strong printmaking skills and manipulating etchings with photographic media will be to produce a series of large scale translucent images, that surround and reveal the notion of 'Kinesthesia'. This new work will continue to reveal a personal sensitivity that is inherent in the work of Sarah Robinson.